John Riley is a renowned American Jazz drummer, a four-time Grammy award winner and 14-time nominee, and has worked with the world's leading Jazz musicians for over 40 years. Born in 1954 in Aberdeen, Maryland, he started playing drums at the age of eight after receiving a snare drum as a gift. With the support and backing of his parents, he began studying percussion privately and worked on rudiments, reading and coordination. At age twelve, John played in rock bands, heard his first jazz recordings and played his first professional gig only two years later. After having met the famous jazz drummer Joe Morello in a drum symposium in 1971, John became a student of him.
He studied at the University of North Texas College of Music in Denton and played, toured and recorded with the famous One O'clock Lab Band, the ensemble of the Jazz Studies Division of the UNT. Their “Lab 76” was nominated for a Grammy Award for "Best Jazz Performance by a Big Band". Jazz drummer Paul Guerrero had been one of his influential teachers there.
In 1976 John moved to New York City, joined the Woody Herman Band and began freelancing with a wide range of world-class musicians such as Stan Getz, Milt Jackson, Miles Davis, Dizzy Gillespie, John Scofield, Bob Mintzer, Gary Peacock, Mike Stern, Joe Lovano, the Vanguard Jazz Orchestra, the Carnegie Hall Jazz Band, John Patitucci, Bob Berg, and many others.
John has a Bachelor of Music degree in jazz education from the University of North Texas and a Master of Music in jazz studies from Manhattan School of Music.
Nowadays he teaches at the Manhattan School of Music, the Kutztown University of Pennsylvania and is “Artist in Residence” at the Conservatorium van Amsterdam. He is the author of four workbooks: The Art of Bop Drumming, Beyond Bop Drumming, The Jazz Drummer's Workshop, The Master Drummer DVD, and has taught master classes around the world.
In "Introduction To Jazz Drumming" John Riley, one of the most respected drum educators of the past thirty years, presents basic knowledge about jazz drumming for medium advanced players. Learn to play the jazz ride cymbal pattern, get familiar with ... »
Comping is a mixture of the expressions “to accompany” and “to complement”. In jazz drumming comping describes the rhythms drummers add to the swing pattern in order to support melody lines or improvised solos. In this course you learn how to ... »
Drum solos take place in various contexts. In this course John discusses the most common soloing formats. One of the traditional solo forms in Jazz is trading fours or eights, where the musicians exchange four or eight bars of soloing with the ... »
One of the challenges of playing in a jazz ensemble is to provide a comfortable steady flow for your fellow musicians, while at the same time maintaining the form of the song. In this course you deal with different aspects of playing in an ensemble. ... »
This course gives you both the fundamental and deep insight knowledge so that you can choose the right cymbal type in every musical situation. Topics like alloys, lathing, hammering, cymbal cups and finish are presented by Zildjian's head of cymbal ... »
Your user hasn't been activated yet. Please check your inbox (or perhaps your spam folder) or click on the button below to send your activation email again to:
Your activiation email was sent to . Please check your inbox or spam folder
Return to login